Two Ducks on a Snowy Reed Bank - Matsuki Heikichi
Archival giclée
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Description
A serene woodblock print depicting two ducks on a snow-dusted bank, rendered in the traditional Japanese Kacho-ga style with soft, atmospheric tones.
This woodblock print by Matsuki Heikichi captures a quiet moment in nature, adhering to the traditional Kacho-ga genre, which focuses on birds and flowers. The composition features two ducks resting upon a snow-covered bank, framed by the vertical lines of reeds dusted with fresh powder. The artist employs a muted colour palette, relying on subtle greys, soft browns, and the stark white of the snow to convey the stillness of a winter day. The background exhibits a wood-grain texture, a technique often utilised in Japanese printmaking to add depth and tactile quality to the paper surface without overwhelming the subject matter.
Matsuki Heikichi was a publisher and artist active during the early twentieth century, a period when the Shin-hanga movement sought to revitalise traditional ukiyo-e techniques by incorporating Western elements of light and atmosphere. This print reflects that aesthetic shift, as the soft shading around the ducks suggests a gentle, diffused light rather than the flat, graphic style of earlier centuries. The ducks are rendered with careful attention to their plumage and posture, one standing alert while the other remains tucked in repose. The reeds provide a vertical counterpoint to the horizontal plane of the bank, creating a balanced and harmonious arrangement. This work is an example of the technical precision found in Japanese printmaking, where the layering of ink and the carving of the woodblocks allow for such delicate transitions in tone. It offers a calm, observational view of wildlife, stripped of unnecessary detail to focus on the essential form and the atmospheric conditions of the season. The print is a representative piece of the period, demonstrating the technical skill of the carvers and printers who collaborated with publishers like Matsuki to produce works for both domestic and international audiences.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Ducks on a Snowy Reed Bank - Matsuki Heikichi
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