Two Geese - Berthe Morisot
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A delicate drypoint etching by Impressionist artist Berthe Morisot, capturing two geese in a quiet, observational study of nature.
This drypoint etching by Berthe Morisot captures a quiet, observational moment in a rural setting. Morisot, a central figure in the Impressionist movement, often turned her attention to domestic scenes and the natural world surrounding her family homes. In this work, the artist employs a delicate, light-handed approach to the copper plate, allowing the burr of the drypoint needle to create soft, atmospheric lines that define the forms of the two geese.
The composition is sparse, focusing on the posture of the primary goose as it stands near the water's edge. The background is suggested through minimal, gestural marks, which evoke the presence of reeds and trees without overwhelming the subject. This economy of line is characteristic of Morisot's graphic work, where she prioritised the immediacy of the sketch over rigid anatomical precision. The geese are rendered with subtle variations in pressure, giving them a sense of movement and life despite the stillness of the scene.
Morisot's interest in printmaking emerged later in her career, providing her with a medium that complemented her fluid painting style. Unlike the more structured techniques of traditional engraving, drypoint allowed her to maintain the spontaneity of her hand. The resulting image possesses a fragile, ephemeral quality, typical of her late-period works. The print reflects her ability to find beauty in modest, everyday subjects, stripping away unnecessary detail to focus on the essential character of the birds and their environment. This piece offers a glimpse into the private artistic explorations of one of the most significant painters of the nineteenth century, demonstrating her technical versatility beyond the canvas.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Geese - Berthe Morisot
Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like