Two Magicians and Two Children - Giovanni Battista Tiepolo
Archival giclée
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Description
An enigmatic etching from the 'Scherzi di fantasia' series, featuring two magicians and two children in a mysterious, atmospheric setting.
This etching belongs to the 'Scherzi di fantasia', a series of prints by Giovanni Battista Tiepolo that explore enigmatic, often occult themes. The composition features two elderly, bearded figures dressed in exotic, orientalised robes, accompanied by two youths. One magician holds a staff entwined with a serpent, while the other gestures towards a large vessel. The scene is populated with curious details: a goat, a sheep, and various cryptic symbols etched into the surrounding environment.
Tiepolo employs a light, airy line quality that defines the forms without heavy shading. The figures are arranged in a loose, theatrical grouping, typical of his approach to narrative composition. The background remains largely suggested, allowing the viewer to focus on the interaction between the figures and the mysterious objects they handle. The artist avoids a clear, didactic meaning, preferring to evoke a sense of wonder and ambiguity.
Technically, the work demonstrates Tiepolo's mastery of the etching needle. He uses varied hatching to create texture and volume, particularly in the drapery of the magicians' garments and the rougher surfaces of the landscape elements. The print reflects the broader interest in the exotic and the fantastical that permeated eighteenth-century Venetian art. By stripping away the grandiosity of his large-scale frescoes, Tiepolo reveals a more intimate, experimental side of his practice. This print is an example of his ability to construct complex, atmospheric scenes through minimal means, relying on the economy of line to convey both character and mood. The inclusion of animals and classical ruins adds to the sense of a timeless, dreamlike setting, inviting the viewer to interpret the scene through their own imagination.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Magicians and Two Children - Giovanni Battista Tiepolo
Artist Biography
Giovanni Battista Tiepolo
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
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