Two Putti Binding a Goat with Garlands - Stefano Della Bella
Archival giclée
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Description
A refined seventeenth-century etching by Stefano Della Bella, depicting two putti decorating a goat with garlands within an ornamental cartouche.
This etching by Stefano Della Bella demonstrates the artist's mastery of the small-scale ornamental print, a genre for which he gained recognition during his time in Florence and Paris. The composition features two putti, rendered with characteristic softness, who are engaged in the act of securing a goat with floral garlands. The central goat, positioned atop a decorative cartouche, provides a playful, mythological quality to the scene. Della Bella employs a delicate, calligraphic line to define the forms, allowing the light to play across the figures and the textured curls of the goat's coat.
As a printmaker, Della Bella was known for his technical precision and his ability to convey movement within a confined space. The cartouche itself is typical of the mid-seventeenth-century decorative style, featuring scrolling edges that frame the central subject. This work belongs to a broader tradition of decorative prints used by contemporary craftsmen as models for furniture, metalwork, or architectural ornamentation. The inclusion of the Latin inscription at the base, noting the artist and the privilege of the French crown, indicates the professional nature of these prints, which were produced for a sophisticated audience of collectors and artisans.
In this piece, the balance between the naturalistic depiction of the animals and the stylised, ornamental frame reflects the aesthetic priorities of the Baroque period. The composition is contained and symmetrical, yet the lively gestures of the putti introduce a sense of narrative charm. This print offers a clear view into the graphic techniques of the era, where the economy of line was used to achieve both decorative effect and anatomical clarity. It remains a fine example of the Italian printmaking tradition, showing the influence of Della Bella's training and his subsequent career in the French court.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Putti Binding a Goat with Garlands - Stefano Della Bella
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