Vestigii del Tempio della Pace - Giovanni Giacomo de' Rossi
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed seventeenth-century etching of the Basilica of Maxentius in Rome, documenting the architectural ruins with precise line work and historical context.
This etching depicts the ruins of the Basilica of Maxentius, historically misidentified in the print as the Temple of Peace. Giovanni Giacomo de' Rossi was a prominent publisher and printmaker in seventeenth-century Rome, operating from the Stamperia de' Rossi. His work often documented the physical state of ancient Roman structures, providing a record of the city as it appeared to travellers and scholars during the Baroque period.
The composition focuses on the massive barrel-vaulted arches that remain of the basilica. The artist employs precise line work to convey the texture of weathered stone and the structural weight of the Roman concrete. Vegetation is shown growing from the upper reaches of the ruins, a common feature in seventeenth-century depictions of Roman antiquities, which emphasises the passage of time and the reclamation of man-made structures by nature. In the foreground, scattered architectural fragments and small figures provide a sense of scale, contrasting the human presence with the monumental proportions of the ancient site.
This print belongs to a broader tradition of Roman topographical documentation. It captures the intersection of classical history and the contemporary aesthetic of the ruin, a subject that fascinated European intellectuals of the era. The inclusion of Italian text beneath the image serves to identify the site and provide historical context, reflecting the educational purpose of such prints. The work is a clear example of the technical skill involved in copperplate etching, where the artist balances the structural geometry of the architecture with the organic decay of the site. It offers a window into the seventeenth-century perception of Rome, where the physical remnants of the empire were both a source of study and a subject for artistic contemplation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vestigii del Tempio della Pace - Giovanni Giacomo de' Rossi
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

