Vrouw met twee schapen - Franz Marc
Archival giclée
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Description
A striking 1912 woodcut by Franz Marc, featuring a woman and two sheep rendered in a bold, simplified Expressionist style.
Franz Marc, a founding member of the Der Blaue Reiter group, produced this woodcut in 1912. The work demonstrates his interest in the synthesis of human and animal forms, a recurring theme throughout his career. Marc often sought to depict the spiritual essence of nature, moving away from objective representation towards a more symbolic visual language.
In this composition, the figures are tightly integrated within a vertical, rectangular frame. The stark contrast between the black ink and the negative space of the paper creates a bold, graphic quality characteristic of the German Expressionist woodcut tradition. The woman and the two sheep are rendered with simplified, flowing lines that suggest a harmonious connection between the human subject and the animal world. The forms are flattened, prioritising the rhythmic arrangement of shapes over anatomical precision or spatial depth.
Marc utilised the woodcut medium to explore the potential of simplified form and high-contrast imagery. By stripping away extraneous detail, he focused on the essential character of his subjects. The resulting image possesses a quiet, meditative quality, reflecting his desire to find a sense of unity in the natural order. This print is an example of the artist's graphic work, which often served as a parallel to his larger oil paintings. It captures the stylistic shift towards abstraction that defined his later output before his death during the First World War. The work remains a clear example of the formal experimentation that characterised the early twentieth-century European avant-garde.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vrouw met twee schapen - Franz Marc
Artist Biography
Franz Marc
In 1911, Marc co-founded Der Blaue Reiter (The Blue Rider) with Wassily Kandinsky, a pivotal group that championed abstract art and spiritual expression. This collective fostered an environment of experimentation and collaboration, pushing the boundaries of modern art. Key works such as "The Large Blue Horses" and "Fighting Forms" exemplify Marc's distinctive style, characterised by bold colours, simplified forms, and a deep sense of empathy for the animal kingdom. He believed that by portraying animals, he could reveal a deeper, more authentic reality.
Tragically, Franz Marc's artistic journey was cut short during World War I. He volunteered for military service and was killed in action at Verdun in 1916, at the age of 36. Despite his untimely death, Marc's legacy endures as a visionary artist who sought to capture the spiritual essence of nature and explore the depths of human emotion through his vibrant and expressive paintings.
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