Zonnebeke 1918 - William Orpen
Archival giclée
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Description
William Orpen's *Zonnebeke 1918* portrays a desolate landscape of the Western Front during the First World War, reflecting the destructive impact of conflict and the human cost of war.
William Orpen, an Irish artist, served as an official war artist during the First World War. His painting, *Zonnebeke 1918*, offers a bleak view of the Western Front. The scene depicts a desolate, war-torn environment, specifically the area around Zonnebeke, Belgium, in 1918. The landscape is scarred with shell holes and ruined structures, reflecting the destructive impact of the conflict. A body lies in the foreground, a stark reminder of the human cost of war. The sky is heavy with dark, ominous clouds, enhancing the overall sense of despair and desolation. Orpen's use of muted colours and loose brushwork contributes to the painting's sombre mood. Orpen's war art moved from initially heroic portrayals to more realistic and critical depictions of the conflict's devastation. *Zonnebeke 1918* is a powerful statement about the futility and horror of war, moving away from romanticised battle scenes to show the grim reality faced by soldiers in the trenches. The painting is part of the collection of the Imperial War Museum, London.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Archival matte fine-art paper, FSC-certified
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Zonnebeke 1918 - William Orpen
Artist Biography
William Orpen
During the First World War he was sent to the Western Front as an official war artist for the British government. He was the most prolific of the war artists, producing 138 works: drawings and paintings of soldiers, dead men, German prisoners, ruined trenches, and the blank exhaustion that photographs of the period cannot quite capture. He donated all 138 to the British government. They are now in the Imperial War Museum.
After the war he painted The Signing of the Peace Treaty at Versailles, which should have been the capstone of his career. Instead it became a controversy. He also painted To the Unknown British Soldier in France, a composition that originally included ghostly military figures alongside a flag-draped coffin. The Imperial War Museum refused to accept it until he removed the figures in 1927.
He never fully recovered from the physical and mental effects of the war. He continued to paint society portraits at extraordinary prices (over 50,000 pounds a year by 1929), but those who knew him said something had changed.
He was Irish, from Stillorgan in County Dublin, a fact that became complicated as the independence movement gathered force during and after the war. He accepted a knighthood from the British crown. He died in 1931, aged fifty-two, and faded to near-total obscurity until 2001, when a portrait sold at Sotheby's for nearly two million pounds.
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