Schenk produced many maps and globes. He frequently collaborated with Gerard Valck on geographical projects. His work on the Portrait of Petrus Boudaan shows his skill with traditional engraving tools. He focused on clear lines and accurate data. His collection of city views, titled Hecatompolis, remains a primary source for seventeenth-century urban architecture. He often combined artistic flair with technical cartographic precision.

Collectors today appreciate the historical accuracy and clean aesthetic of these engravings. The prints provide a direct view of the seventeenth century without excessive ornamentation. These works suit contemporary interiors that favour monochrome palettes or classical themes. They look best when placed at the centre of a gallery wall. The use of high-quality paper in modern reproductions preserves the clarity of his original copperplate work.