A 1796 Neoclassical engraving by Alexander Liernur depicting the god Apollo with his lyre, rendered in a precise, sculptural style.

This engraving by Alexander Liernur, dated 1796, depicts the Greek god Apollo in a manner consistent with the Neoclassical aesthetic of the late eighteenth century. The figure stands in a contrapposto pose, leaning against a tree trunk that supports his lyre and quiver. The composition is contained within an oval frame, a common device in period printmaking to focus attention on the central subject. Liernur employs stipple and line engraving techniques to model the musculature and the folds of the drapery, creating a sense of three-dimensional volume that mimics the appearance of marble statuary. The iconography is traditional: Apollo is shown as the patron of music and poetry, holding his attribute, the lyre. The inclusion of the quiver suggests his role as a deity of archery and light. The inscription below the figure, 'President de la sacrée Neuvaine', provides context for the specific cultural or ceremonial use of this print during the period. The work reflects the European fascination with antiquity, a period when artists sought to emulate the clarity, balance, and restraint found in Greco-Roman art. Liernur, a Dutch artist active during a time of significant political and social change, produced works that often aligned with the formal rigour of the era. The print is characterised by its clean lines and precise shading, avoiding unnecessary ornamentation to maintain the purity of the classical form. The choice of an oval format serves to isolate the figure, presenting Apollo as an idealised, timeless entity. This print is a clear example of the technical proficiency required in late eighteenth-century reproductive engraving, where the goal was to capture the essence of sculptural form on a two-dimensional surface. It remains a representative piece of the period's dedication to classical themes and disciplined draftsmanship.