An early self-portrait by Italian artist Bice Lazzari, featuring a composed subject accented by a striking coral necklace against a muted, cool-toned background.

This self-portrait by Bice Lazzari offers a glimpse into the early career of an artist who later became a figure in Italian abstract art. Painted during the early 1920s, the work reflects the stylistic currents of the period, characterised by a restrained approach to form and a focus on the psychological presence of the subject. Lazzari presents herself with a direct, composed gaze, her features rendered with a deliberate simplicity that avoids excessive detail. The composition is balanced and quiet. The artist wears a pale, cool-toned garment, which provides a neutral backdrop for the striking coral-coloured necklace. This singular splash of warmth draws the eye to the centre of the frame, creating a contrast against the muted blues and greys of the background and the sitter's clothing. The brushwork is visible but controlled, suggesting a methodical application of paint that aligns with the artist's interest in structure and rhythm. Lazzari, born in Venice, was trained in both music and the visual arts. This dual background often informed her later work, where she explored the relationship between line and space. In this early portrait, one can observe the seeds of that formal rigour. The figure is positioned against a flat, ambiguous space, a choice that removes the distraction of a specific setting and keeps the focus entirely on the individual. The lighting is soft and diffused, contributing to the contemplative mood of the piece. This print captures the subtle textures of the original oil application, preserving the tonal shifts that define the artist's early figurative style. It is a study in poise and understated colour, suitable for those who appreciate the transition from traditional portraiture to the more analytical approaches of the twentieth century.