Self-Portrait - Kazimir Malevich
Archival giclée
Ready to hang
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Made to order
Description
A compelling self-portrait by Kazimir Malevich, painted in 1910-1911, showcasing the artist's transition towards abstraction with its bold colours and intense gaze. A striking addition to any modern art collection.
This striking self-portrait by Kazimir Malevich, painted between 1910 and 1911, offers a glimpse into the artist's evolving style during a pivotal period in modern art. Malevich, a Ukrainian artist who later worked primarily in Russia, is best known as the founder of Suprematism, an abstract art movement focused on pure geometric forms and their relationships to one another. However, this self-portrait predates his full embrace of abstraction, showcasing a fascinating blend of representational and avant-garde elements. The painting depicts Malevich in a dark green suit with a high white collar and a red shirt, his face rendered with a palette of yellows, greens, and blues that create a somewhat unsettling yet compelling effect. The background features abstracted figures in shades of red and orange, hinting at the artist's burgeoning interest in non-objective forms. The intensity of his gaze and the unconventional colour choices contribute to a powerful sense of self-awareness and artistic experimentation. As a fine art print, this self-portrait adds a touch of modernist intrigue to any space, sparking conversation and inviting viewers to delve into the complex world of early 20th-century art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Self-Portrait - Kazimir Malevich
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Kazimir Malevich
He was born in 1879 near Kyiv, to parents of Polish origin, the eldest of fourteen children. Nine survived to adulthood. He moved through Impressionism, Symbolism, Fauvism, and Cubism before arriving at Suprematism, a system of pure geometric abstraction that he invented in 1913. White on White (1918) pushed the principle to its logical end: a white square, barely visible, tilted on a white background.
In 1927, he took approximately seventy paintings to Berlin for an exhibition. Soviet authorities recalled him abruptly. He left the entire cache with a German architect named Hugo Haering and never saw them again. The works eventually ended up at MoMA in New York and the Stedelijk Museum in Amsterdam.
In 1930, the secret police arrested him, accused him of Polish espionage, and threatened execution. He was imprisoned for two months. His teaching position was taken away. Artworks and manuscripts were confiscated. He was banned from making art and forced to return to figurative painting under Stalin.
He died of cancer in 1935, aged fifty-six. On his deathbed, Black Square was hung above him. His ashes were buried at Nemchinovka. He had requested a Suprematist sculptural form to mark his grave. Instead, it was marked with a white cube bearing a black square, which was destroyed during the war.
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