Collection
Constant Troyon
Explore curated art prints selected for distinctive homes and considered interiors.
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Plowing - Constant Troyon
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Outside the Stable - Constant Troyon
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Returning From Pasture - Constant Troyon
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Approaching Storm - Constant Troyon
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The Fisherman - Constant Troyon
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Unloading the Ferry - Constant Troyon
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Beach at Trouville - Constant Troyon
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Watercourse in the Woods - Constant Troyon
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The White Bull - Constant Troyon
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On The Farm - Constant Troyon
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Path in a Small Wood - Constant Troyon
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Calf Cows at the Marl - Constant Troyon
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On the Way to the Market - Constant Troyon
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Herdsman - Constant Troyon
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Running Dogs - Constant Troyon
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Apple Harvest in Normandy - Constant Troyon
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In the Park of Saint Cloud - Constant Troyon
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Four Oxen Pulling a Plough - Constant Troyon
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Going to Market - Constant Troyon
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Road in the Woods - Constant Troyon
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Farmyard - Constant Troyon
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Landscape with Cattle - Constant Troyon
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Cattle and Sheep in a Pasture - Constant Troyon
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A Cow in a Landscape - Constant Troyon
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Artist Biography
Constant Troyon
In 1859, Troyon advised the young Claude Monet to work outdoors. It was one of several pieces of advice from established painters that nudged Monet toward what would become Impressionism. Troyon himself never made the leap. He remained a painter of cattle and landscape in the Barbizon tradition, though his animals stood in light that was beginning to dissolve solid form.
He was born in Sevres in 1810. His father worked at the famous porcelain manufactory, and the boy entered the ateliers young, spending years learning the minute decorative skills of porcelain painting. The precision served him well but took years to shake off. His early landscapes were tight and conventional.
The breakthrough came in 1846, when he travelled to the Netherlands and saw Paulus Potter's The Young Bull at the Hague, along with Cuyp's sunny landscapes and Rembrandt. He returned to France with a new approach: larger canvases, freer brushwork, and cattle as the central subject. Within a few years he was the leading animal painter in France, decorated with the Legion of Honour, five times a medallist at the Paris Salon, and collected by Napoleon III.
All his best pictures date from between 1850 and 1864. Success came late, and he never quite believed in it; even when he could command the market of several countries, he complained about his treatment. His mother, who survived him, established the Troyon prize for animal painting at the Ecole des Beaux-Arts. He died in Paris in 1865, at fifty-four, unmarried, after a period of deteriorating mental health.
He was born in Sevres in 1810. His father worked at the famous porcelain manufactory, and the boy entered the ateliers young, spending years learning the minute decorative skills of porcelain painting. The precision served him well but took years to shake off. His early landscapes were tight and conventional.
The breakthrough came in 1846, when he travelled to the Netherlands and saw Paulus Potter's The Young Bull at the Hague, along with Cuyp's sunny landscapes and Rembrandt. He returned to France with a new approach: larger canvases, freer brushwork, and cattle as the central subject. Within a few years he was the leading animal painter in France, decorated with the Legion of Honour, five times a medallist at the Paris Salon, and collected by Napoleon III.
All his best pictures date from between 1850 and 1864. Success came late, and he never quite believed in it; even when he could command the market of several countries, he complained about his treatment. His mother, who survived him, established the Troyon prize for animal painting at the Ecole des Beaux-Arts. He died in Paris in 1865, at fifty-four, unmarried, after a period of deteriorating mental health.
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