2ème Vue de l'Isle de St. Hélène - Jean Jérôme Baugean
Archival giclée
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Description
A detailed nineteenth-century topographical etching of Saint Helena, featuring a numbered key of the island's colonial fortifications and harbour.
This etching by Jean Jérôme Baugean captures a topographical view of Saint Helena, the remote South Atlantic island. Published in Paris by Ostervald l'aîné, the print serves as a documentary record of the island's geography and colonial infrastructure during the early nineteenth century. Baugean, a marine artist and engraver, demonstrates a precise approach to line work, characteristic of the period's interest in cartographic accuracy and maritime exploration.
The composition is structured to provide a clear overview of the harbour and surrounding fortifications. The foreground features palm trees and rocky terrain, leading the eye toward the settlement and the bay. Ships are visible in the distance, suggesting the island's role as a stop for vessels navigating the Atlantic. The print includes a numbered key at the bottom, identifying specific structures such as the Government House, the church, the barracks, and various defensive batteries. This systematic labelling reflects the era's desire to categorise and understand distant territories through visual media.
Baugean employs fine, controlled lines to define the rugged cliffs and the architectural details of the town. The sky is rendered with subtle horizontal hatching, creating a sense of atmospheric depth without distracting from the primary subject matter. The work is typical of the prints produced to satisfy European curiosity regarding the locations associated with the Napoleonic era. By focusing on the physical layout of the island, the artist provides a clear, objective representation of the site. This print is a specimen of nineteenth-century printmaking, where technical skill in engraving was applied to the dissemination of geographical knowledge. It remains a useful reference for those interested in the history of maritime illustration and the visual documentation of colonial outposts.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
2ème Vue de l'Isle de St. Hélène - Jean Jérôme Baugean
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