684 A Rainy Day with Walter Kampmann - Friedensreich Hundertwasser
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Description
A 1969 lithograph by Friedensreich Hundertwasser, featuring his signature organic spirals, bold primary colours, and a rejection of the straight line.
Friedensreich Hundertwasser, born Friedrich Stowasser, was an Austrian artist known for his rejection of straight lines and his preference for organic, spiral-based forms. This work, titled 684 A Rainy Day with Walter Kampmann, dates to 1969 and displays the characteristic visual language of his later career. The composition is dominated by large, circular motifs that resemble trees or celestial bodies, rendered with a dense application of dots and concentric rings. These shapes float above a structured, grid-like base that suggests an architectural or urban environment, though the perspective remains intentionally flattened and dreamlike.
Hundertwasser utilised a high-chroma palette, favouring primary colours alongside deep greens and blues. The red rectangular elements at the top of the composition provide a stark contrast to the swirling, organic forms below. His work often incorporated personal symbolism and a rejection of conventional artistic norms, favouring a philosophy that prioritised the individual's connection to nature and the built environment. The inclusion of Japanese-style seals and specific numbering indicates the artist's meticulous approach to his print editions, which were often produced using complex lithographic processes to achieve the desired saturation and texture.
In this piece, the interplay between the rigid, rectangular frames and the fluid, circular masses creates a tension that is typical of Hundertwasser's output. The work avoids traditional depth, instead presenting a decorative, almost map-like surface that invites the viewer to trace the paths of the lines and the distribution of the colour fields. It is a clear example of his desire to humanise the environment through art, replacing the monotony of industrial design with a personal, irregular, and highly decorative aesthetic that remains recognisable decades later.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
684 A Rainy Day with Walter Kampmann - Friedensreich Hundertwasser
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