A Bad One - Charles M. Russell
Archival giclée
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Description
A dynamic depiction of a bucking horse and rider on the open plains, captured with the technical precision of the American West.
Charles M. Russell, often referred to as the Cowboy Artist, produced this work during the later stages of his career. The painting captures the raw energy of a bucking horse, a subject that occupied much of his creative output. Russell spent his early years working as a night wrangler in Montana, an experience that provided him with an intimate understanding of the physical mechanics of horses and the daily realities of ranch life.
In this composition, the central figure is a rider struggling to maintain his seat atop a horse in the midst of a violent bucking motion. The animal is suspended in the air, its body arched, while the rider leans back, his hat flying off in the process. The surrounding figures, other cowboys on horseback, observe the event from a short distance. The scene is set against the expansive, open plains of the American West, rendered with a focus on the muted, earthy tones of the sagebrush and the distant, hazy horizon.
Russell utilised a dynamic approach to capture the tension of the moment. His brushwork is precise, focusing on the anatomy of the animals and the specific gear used by the riders. Unlike many of his contemporaries who romanticised the frontier, Russell maintained a focus on the technical aspects of horsemanship and the rugged environment. The painting reflects his deep familiarity with the subject matter, presenting a moment of high action without unnecessary embellishment. The light is clear and bright, typical of the high plains, casting long shadows that ground the figures within the vast space. This work remains a clear example of his ability to document the vanishing era of the open-range cowboy through direct observation and technical skill.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Bad One - Charles M. Russell
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