A Glimpse of Higayashiyama the Western Capital - Utagawa Hiroshige III
Archival giclée
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Description
A Meiji-era triptych depicting a social gathering in Higayashiyama, illustrating the cultural shift between traditional Japanese dress and Western military attire.
This triptych by Utagawa Hiroshige III captures a moment of cultural transition during the early Meiji period. The scene depicts a gathering of figures in Western-style military uniforms alongside women in traditional Japanese attire. This juxtaposition reflects the rapid modernisation and Westernisation occurring in Japan at the time. The setting is Higayashiyama, a location known for its historical temples and gardens, presented here with a blend of traditional woodblock aesthetics and the new social realities of the late nineteenth century.
The composition is divided across three panels, a common format for narrative prints of this era. On the left, figures walk through a garden path near a stone lantern, while the centre and right panels focus on a group seated on a raised wooden platform. The clothing details are precise, showing the contrast between the dark, structured military tunics and the patterned, flowing kimonos. The background features stylised mountains and a deep purple sky, which provides a graphic frame for the foreground activity. The use of colour is bold, with saturated reds and purples typical of the pigments available during the Meiji era.
Utagawa Hiroshige III, a student of the famous Utagawa Hiroshige, often documented the changing face of Japan. His work provides a visual record of the introduction of railways, brick architecture, and Western fashion. This print is a clear example of how traditional printmaking techniques adapted to document contemporary life. The figures are arranged in a social setting that suggests a formal occasion, perhaps a diplomatic or celebratory event. The print serves as a historical document of the period, capturing the intersection of two distinct cultural modes of dress and social interaction within a traditional Japanese setting.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Glimpse of Higayashiyama the Western Capital - Utagawa Hiroshige III
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