A Procession of Yachts - Philip Wilson Steer
Archival giclée
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Description
A classic example of British Impressionism, this painting captures a fleet of yachts with textured brushwork and a cool, atmospheric palette.
Philip Wilson Steer, a central figure in the development of British Impressionism, produced this work during a period of intense experimentation with light and colour. The composition captures a fleet of yachts, their sails rendered with a distinct, broken brushwork that suggests the movement of wind and water. Steer was heavily influenced by French painters, particularly Monet, yet he maintained a unique approach to the British coastline and its specific atmospheric conditions.
The painting focuses on the interplay between the white, billowing sails and the cool, blue tones of the sea and sky. Steer employs a technique that prioritises the optical effect of light over precise draughtsmanship. The yachts are arranged across the frame, creating a sense of rhythm as they move through the water. The foreground features a smaller vessel, providing a sense of scale against the larger, more imposing yachts behind it. The application of paint is textured, with visible strokes that build up the surface of the canvas, giving the water a shimmering quality.
Steer spent significant time at Walberswick and other coastal locations, where he observed the changing light on the North Sea. This work reflects his interest in the transient nature of marine scenes. By avoiding rigid outlines, he allows the forms to dissolve into the surrounding atmosphere, a hallmark of his style during the 1890s. The palette is dominated by shades of blue, white, and soft ochre, which work together to create a cohesive, tranquil scene. This print captures the texture of the original oil paint, preserving the tactile quality of Steer's brushwork. It offers a view into the artist's method of capturing the fleeting moments of maritime activity, where the boundary between the sky and the sea becomes blurred by the light.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Procession of Yachts - Philip Wilson Steer
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