Aangespoelde beenderen - Anthonie van den Bos
Archival giclée
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Description
A detailed nineteenth-century scientific lithograph documenting skeletal remains found after a dyke breach in the Netherlands.
This lithograph, titled Aangespoelde beenderen, documents a collection of skeletal remains discovered following a dyke breach near Loenen. Anthonie van den Bos, a Dutch artist known for his precise observational work, captures the physical state of these bones with clinical accuracy. The composition functions as a scientific record, numbering each specimen to assist in identification and classification. The artist employs a muted palette of ochre, bone white, and soft grey to render the textures of the weathered remains. Each bone is presented against a neutral background, allowing the viewer to examine the morphological details without distraction. The work reflects the nineteenth-century fascination with natural history and the systematic documentation of geological and biological phenomena. By isolating these objects, the artist elevates them from mere debris to subjects of academic inquiry. The lithographic technique provides a clean, reproducible image suitable for scientific journals or geological reports of the period. The subtle application of watercolour adds a layer of realism, distinguishing the porous surfaces of the bone from the surrounding space. This print serves as a record of a specific environmental event, preserving the appearance of the remains for future study. The arrangement is deliberate, balancing larger pelvic and limb bones with smaller fragments, including a vertebra and a tooth, to provide a comprehensive view of the find. The clarity of the lines and the careful shading demonstrate the technical skill required for mid-nineteenth-century scientific illustration. It remains a compelling example of how art and science intersected during this era, providing a visual archive of natural occurrences that might otherwise be lost to time.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Aangespoelde beenderen - Anthonie van den Bos
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