Abraham and the Three Angels - Adriaen Collaert
Archival giclée
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Description
A detailed hand-coloured engraving by Adriaen Collaert depicting the biblical meeting between Abraham and the three angels.
This hand-coloured engraving by Adriaen Collaert depicts the biblical narrative from Genesis 18, in which Abraham hosts three divine visitors. The composition follows the conventions of late sixteenth-century Flemish printmaking, balancing theological storytelling with the technical precision of the burin. Collaert, a member of the prolific Antwerp school of engravers, demonstrates a mastery of line and form, creating a clear, readable scene that functions both as a devotional aid and a decorative object.
In the foreground, Abraham kneels in a gesture of reverence, his posture reflecting the humility required by the encounter. The three angels are seated at a circular table, their figures rendered with the elongated proportions and graceful, artificial poses typical of the Mannerist period. The inclusion of Sarah in the background, peering from the doorway, adds a narrative layer, referencing her reaction to the prophecy of her future motherhood. The scene is set within a structured, outdoor environment, with trees providing a natural canopy that frames the central interaction. The hand-applied colour palette, featuring muted blues, reds, and ochres, enhances the clarity of the figures against the detailed, cross-hatched background.
Collaert’s work was often produced for inclusion in illustrated bibles or series of religious prints, which were widely circulated across Europe. The Latin inscription at the base provides the scriptural context, while the additional French annotation suggests the print was intended for a broad, educated audience. The technical execution, particularly in the rendering of the drapery and the facial expressions, reflects the high standards of the Antwerp workshops of the time. This print offers a window into the visual culture of the Counter-Reformation, where such images were used to communicate complex narratives with directness and clarity.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Abraham and the Three Angels - Adriaen Collaert
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