Adam and Eve with the Infant Cain - Theodor de Bry
Archival giclée
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Description
A detailed sixteenth-century engraving by Theodor de Bry depicting Adam and Eve with the infant Cain, incorporating moralising symbols and Latin inscriptions.
This engraving by Theodor de Bry presents a complex allegorical scene featuring Adam and Eve in a post-lapsarian state. The composition is structured around the central figure of the infant Cain, who blows a bubble, a common memento mori motif representing the fragility and transience of human life. Adam, depicted with a laurel wreath and surrounded by various tools of labour, reflects the biblical injunction that man must toil for his sustenance. Eve sits opposite him, holding a flowering branch, while the surrounding environment includes baskets and implements that signify the beginning of human industry and domestic life.
The print incorporates Latin inscriptions drawn from the Book of Job and the Book of Genesis, which frame the narrative within a theological context. De Bry employs precise, controlled lines to define the musculature of the figures and the textures of the natural environment. The background features a distant, rolling topography that provides a sense of depth, contrasting with the foreground where the figures are positioned in a deliberate, staged arrangement. The inclusion of the 'Verbum Dei' on the stone near the child suggests the presence of divine instruction amidst the realities of earthly existence.
As a master engraver, de Bry demonstrates a high level of technical proficiency in this work. The cross-hatching and varied line weights create a distinct tonal range, typical of late sixteenth-century printmaking. The work functions as both a moralising narrative and a display of the engraver's ability to render human anatomy and symbolic objects with clarity. The scene avoids excessive ornamentation, focusing instead on the clarity of the figures and their symbolic attributes. This print is a characteristic example of the intellectual and religious themes that occupied artists in the Low Countries during this period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Adam and Eve with the Infant Cain - Theodor de Bry
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