Album met bladen en platen uit De Boodts herbarium van 1640 - Joseph van Huerne
Archival giclée
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Description
A detailed reproduction of a nineteenth-century marbled paper book cover from the collection of Joseph van Huerne.
This image depicts the exterior cover of an album compiled by Joseph van Huerne, a Belgian collector and bibliophile. The cover features a distinctive marbled paper finish, a technique popularised in European bookbinding during the eighteenth and nineteenth centuries. The surface displays a characteristic swirling pattern, achieved through the manipulation of pigments on a thickened liquid bath before being transferred to the paper substrate. The deep red tones are typical of the period, providing a sense of physical weight and historical presence to the object.
Joseph van Huerne was known for his extensive collection of manuscripts, prints, and botanical studies. This specific album serves as a repository for plates derived from the herbarium of Anselmus de Boodt, a Flemish physician and mineralogist who lived during the late sixteenth and early seventeenth centuries. By housing these botanical records within a custom-bound volume, van Huerne preserved the scientific observations of his predecessor. The binding itself, with its leather spine and corners, reflects the standard practices of private libraries during the early nineteenth century. The wear visible on the edges of the cover indicates the frequent handling of the volume by scholars and collectors over the centuries.
As a piece of historical ephemera, this print captures the intersection of scientific documentation and the decorative arts. The marbled paper acts as a protective and aesthetic skin for the scientific knowledge contained within. The texture of the paper, combined with the subtle variations in the red pigment, creates a visual rhythm that is both orderly and organic. This item provides a glimpse into the methods used by private collectors to organise and protect their archives, ensuring that botanical illustrations remained accessible for study and reference. It is a record of the care taken to maintain the continuity of scientific inquiry across generations.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Album met bladen en platen uit De Boodts herbarium van 1640 - Joseph van Huerne
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