Alburnus, Ables ou Ablettes - Jacques van Merlen
Archival giclée
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Description
A detailed seventeenth-century etching by Jacques van Merlen depicting a catch of bleak fish on a riverbank, complete with a rural bridge and mill in the background.
This etching, titled Alburnus, Ables ou Ablettes, presents a detailed study of a catch of bleak fish resting upon a riverbank. Jacques van Merlen, a Flemish engraver and publisher active in Paris, demonstrates a precise approach to the medium. The foreground is dominated by the physical forms of the fish, rendered with careful attention to the texture of their scales and the curvature of their bodies. The artist employs varied cross-hatching techniques to define the shadows and the reflective quality of the fish skin.
In the background, the composition opens to reveal a river scene. A wooden bridge spans the water, connecting the foreground to a distant bank where a mill or similar structure stands. The inclusion of a small figure on the bridge and a boat on the water provides a sense of scale and environmental context. The presence of a fishing net draped over a stone wall in the mid-ground links the human activity of fishing to the primary subject of the catch. The inscription at the base, including the Latin and French names for the species, aligns with the scientific and observational interests common in seventeenth-century printmaking.
Van Merlen worked during a period when print series documenting natural history and rural life were popular among collectors. The work reflects the technical standards of the era, prioritising clarity of form and atmospheric depth. The print is marked with the signature B. Flamen, indicating the involvement of the engraver Albert Flamen, who collaborated with van Merlen on various series depicting aquatic life. This piece offers a view into the intersection of artistic observation and the documentation of the natural world, captured through the disciplined lines of the etching needle.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Alburnus, Ables ou Ablettes - Jacques van Merlen
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