Amaterasu Ōmikami emerging from the Heavenly Rock Cave - Tsukioka Yoshitoshi
Archival giclée
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Description
A striking woodblock print by Tsukioka Yoshitoshi depicting the sun goddess Amaterasu emerging from her cave, rendered with dramatic light and shadow.
This woodblock print by Tsukioka Yoshitoshi depicts a central moment from Japanese mythology: the emergence of the sun goddess, Amaterasu, from the Heavenly Rock Cave. According to the Kojiki, Amaterasu retreated into a cave after a dispute with her brother, Susanoo, plunging the world into darkness. The other deities gathered outside to lure her out, eventually succeeding through a combination of music, dance, and the reflection of her own light in a mirror.
Yoshitoshi, a master of the late Edo and early Meiji periods, captures the tension of the scene through sharp contrasts. The composition is dominated by the deep, oppressive black of the cave entrance, which frames the luminous, warm interior where the goddess resides. Amaterasu is shown with long, flowing hair and traditional robes, her presence providing a sense of calm against the dynamic, almost frantic energy of the deities attempting to coax her forth. The artist employs a refined line quality to define the folds of the garments and the expressive features of the figures, while the colour palette remains focused on the interplay between the void of the cave and the golden light of the divine.
This work belongs to the series 'Mirror of Famous Generals of Great Japan', though it focuses on mythological figures rather than historical military leaders. Yoshitoshi was known for his ability to blend traditional ukiyo-e aesthetics with a more modern, psychological approach to storytelling. His work often explored the supernatural and the historical with equal precision. This print demonstrates his technical skill in woodblock carving and his command of narrative composition, offering a clear window into the cultural narratives that shaped the Japanese imagination during the nineteenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Amaterasu Ōmikami emerging from the Heavenly Rock Cave - Tsukioka Yoshitoshi
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