Angel (from the Champmol Altarpiece) - Melchior Broederlam
Archival giclée
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Description
A detail of an angel from the Champmol Altarpiece by Melchior Broederlam, representing the International Gothic style of the late fourteenth century.
This detail captures an angel from the Champmol Altarpiece, a commission for Philip the Bold, Duke of Burgundy. Melchior Broederlam, a Flemish painter active in the late fourteenth century, executed this work for the Charterhouse of Champmol near Dijon. The altarpiece remains a primary example of the International Gothic style, which bridged the gap between medieval traditions and the emerging naturalism of the Northern Renaissance.
The angel is depicted in a dynamic, floating posture, holding a long, unfurled scroll. The figure wears a deep blue mantle over a yellow tunic, contrasting with the vivid red of the wings. Broederlam employs a refined technique, using oil glazes to achieve a luminosity that was advanced for the period. The background features a subtle, textured surface, typical of the decorative sensibilities found in courtly art of the era. The facial features are rendered with delicate precision, reflecting the artist's focus on grace and poise.
Broederlam's work for the Burgundian court demonstrates the transition toward greater spatial awareness and anatomical observation. While the figure retains a certain ethereal, weightless quality, the treatment of the drapery and the interaction between the angel and the scroll suggest a move toward three-dimensional form. This piece offers a glimpse into the sophisticated artistic culture of the late Middle Ages, where religious iconography was presented with increasing technical mastery and attention to material detail. The preservation of the original colour palette allows for an appreciation of the artist's skill in balancing primary hues against the muted, textured backdrop of the panel. This print reproduces the specific character of the original painting, maintaining the clarity of the brushwork and the specific tonal qualities of the fifteenth-century medium.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Angel (from the Champmol Altarpiece) - Melchior Broederlam
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