Anna te Drieën - Defendente Ferrari
Archival giclée
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Description
A detailed Renaissance panel painting by Defendente Ferrari, depicting the Virgin and Child with Saint Anne within a grand architectural interior.
This work by Defendente Ferrari, a painter active in the Piedmont region of Italy during the early sixteenth century, depicts the subject known as the Anna te Drieën, or the Virgin and Child with Saint Anne. The composition presents the Virgin Mary and her mother, Saint Anne, seated together, with the Christ Child positioned between them. The figures are rendered with the precise, linear quality characteristic of Ferrari's style, which often incorporates Northern European influences alongside Italian traditions.
The setting is a complex architectural interior, featuring a vaulted space that recedes into the background. Ferrari employs a rigorous perspective to frame the figures, creating a sense of depth that contrasts with the detailed, almost decorative treatment of the drapery and the figures' features. Two small angels are positioned behind the women, one playing a flute and the other a stringed instrument, adding a musical element to the devotional scene. The use of light is controlled, illuminating the faces of the figures while casting soft shadows within the folds of their garments.
Ferrari's work is recognised for its meticulous attention to detail, from the textures of the clothing to the architectural elements of the background. The painting reflects the artistic climate of the period, where religious iconography was frequently adapted to include contemporary architectural motifs and refined, expressive portraiture. The panel remains a clear example of the artist's ability to balance narrative clarity with a highly finished, polished surface. The colour palette is dominated by deep blues and greens, which provide a stable foundation for the lighter, warmer tones of the skin and the golden halos. This piece offers a view into the devotional art of the Piedmontese Renaissance, capturing a moment of quiet contemplation within a grand, structured environment.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Anna te Drieën - Defendente Ferrari
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