Another Way of Hunting on Foot - Francisco José de Goya y Lucientes
Archival giclée
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Description
A striking etching and aquatint from Goya's La Tauromaquia series, depicting a raw, rural bullfighting scene with masterful use of light and shadow.
Another Way of Hunting on Foot is a plate from the series La Tauromaquia, a collection of thirty-three prints by Francisco Goya. Published in 1816, this series documents the history and practice of bullfighting in Spain. Goya employs a combination of etching and aquatint to achieve the atmospheric tonal shifts that define the work. The aquatint provides a soft, granular texture across the background, which contrasts with the sharper, more aggressive lines used to render the figures of the men and the bull.
The composition captures a moment of physical tension. Two men, positioned on opposite sides of the animal, engage the bull with spears. Their postures are low and strained, conveying the exertion required for this method of hunting. Unlike the formalised arena combat seen in other plates of the series, this scene depicts a more raw, rural encounter. The background is sparse, consisting of a simple horizon line and a few trees, which keeps the focus entirely on the interaction between the hunters and their prey.
Goya was a master of the print medium, and his technical skill is evident in the way he manages light and shadow to create a sense of volume and movement. The figures appear grounded in the space, their forms emerging from the sepia tones of the paper. This print offers a glimpse into the cultural practices of early nineteenth-century Spain, stripped of romanticised embellishment. It is a direct observation of human struggle and animal instinct. The work remains a primary example of Goya's ability to capture the visceral nature of his subjects through the disciplined application of printmaking techniques.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Another Way of Hunting on Foot - Francisco José de Goya y Lucientes
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