Anxious Ones - El Lissitzky
Archival giclée
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Description
A 1923 lithograph by El Lissitzky, featuring geometric, machine-like figures from his conceptual designs for the opera Victory Over the Sun.
This lithograph, titled Anxious Ones, originates from the 1923 portfolio Figurinen. Die plastische Gestaltung der elektro-mechanischen Schau 'Sieg über die Sonne'. El Lissitzky created these designs as a conceptual extension of the 1913 Futurist opera Victory Over the Sun. The work reflects the artist's interest in the intersection of human form and mechanical geometry, a hallmark of the Russian Constructivist movement.
The composition features two figures constructed from rigid, geometric planes. Lissitzky employs a restricted palette of grey, black, and muted orange to define the spatial relationships between the forms. The figures possess a robotic quality, with circular heads containing simplified, schematic facial features. These elements suggest a transition from traditional theatrical costume to a modern, machine-age aesthetic. The arrangement of the shapes creates a sense of precarious balance, mirroring the psychological state implied by the title.
Lissitzky intended these figurines to be realised as three-dimensional, articulated puppets. By reducing the human figure to its essential geometric components, he sought to create a new visual language for the stage. The lithographic process allows for clean, sharp edges and flat areas of colour, which align with the industrial precision favoured by the artist during this period. This print provides a clear view into the experimental nature of early twentieth-century European theatre design, where the boundaries between sculpture, performance, and graphic art were frequently blurred.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Anxious Ones - El Lissitzky
Artist Biography
El Lissitzky
He was born Lazar Markovich Lissitzky in 1890. After returning to Russia, he worked alongside Malevich at the UNOVIS art school in Vitebsk, where Suprematism and the revolution were supposed to be the same thing. He became one of the most influential graphic designers of the twentieth century, his poster designs, book layouts, and exhibition installations connecting Russian avant-garde art to the Bauhaus and De Stijl in western Europe.
He contracted pulmonary tuberculosis and continued working as a book artist and photomonteur because he could do it lying down. His sister Jenta committed suicide in Vitebsk in 1925 while he was hospitalised in Switzerland. He married Sophie Kuppers, a German woman whose family disapproved of the match; she had to leave her sons behind to move to Moscow. He died in Moscow in 1941, the year Germany invaded Russia.
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