Assumption of the Virgin - Domenichino (Domenico Zampieri)
Archival giclée
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Description
A reproduction of Domenichino's 1617 ceiling painting, The Assumption of the Virgin, located in the church of Santa Maria in Trastevere, Rome.
This print reproduces a photographic record of the ceiling painting by Domenichino, located within the church of Santa Maria in Trastevere, Rome. Commissioned by Cardinal Pietro Aldobrandini during the restoration of the church in 1617, the work occupies a central octagonal panel within a larger decorative scheme. The composition depicts the Virgin Mary ascending towards the heavens, her arms outstretched and her gaze directed upward. She is surrounded by a celestial arrangement of clouds and figures, rendered with the characteristic clarity and structured classicism associated with the artist's training under Annibale Carracci.
Domenichino, born Domenico Zampieri, was a central figure in the Roman Baroque period. His approach to religious subjects favoured a balance between emotional expression and formal order. In this specific work, the central figure of the Virgin is set against a sky that transitions from a deep blue to a lighter, luminous tone. The surrounding clouds are depicted with rounded forms, featuring distinct shadows that provide a sense of volume and weight to the scene. The surrounding ceiling architecture incorporates geometric motifs, including stars and heraldic elements, which frame the central narrative.
This archival reproduction captures the details of the original painting as documented in historical catalogues. It offers a view into the decorative programmes of seventeenth-century Roman ecclesiastical spaces. The image reflects the artist's ability to manage complex spatial arrangements within a fixed architectural frame, maintaining a sense of movement while adhering to the requirements of the commission. The print serves as a record of the artist's contribution to the interior of Santa Maria in Trastevere, documenting the intersection of painting and architectural design during this period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Assumption of the Virgin - Domenichino (Domenico Zampieri)
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