Assumption of the Virgin - Francesco Faraone Aquila
Archival giclée
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Description
A detailed etching by Francesco Faraone Aquila, documenting a preparatory study for Correggio's famous dome fresco in Parma.
This fine art print by Francesco Faraone Aquila reproduces a preparatory concept for the celebrated dome fresco in the Parma Cathedral by Antonio da Correggio. Aquila, a skilled printmaker active in the early eighteenth century, dedicated his career to documenting the works of the Italian masters. This specific etching captures the ethereal ascent of the Virgin, surrounded by a multitude of putti and clouds. The composition reflects the dynamic energy of the High Renaissance, translated through the precise, linear language of the Baroque print tradition.
The print features a dense arrangement of figures, where the Virgin occupies the upper centre, her arms outstretched in a gesture of divine reception. Below her, a swirling mass of clouds serves as a platform for numerous cherubic figures, each rendered with distinct expressions and postures. Aquila employs varied hatching techniques to suggest volume and atmospheric depth, effectively translating the painterly qualities of Correggio's original oil sketches into a monochrome medium. The lower portion of the print includes an Italian inscription, which provides historical context regarding the evolution of Correggio's design for the Parma dome, noting the transition from an initial concept to the final, expanded composition.
As a record of artistic process, this work offers insight into how compositions were disseminated and studied during the eighteenth century. The print serves as a document of the dialogue between the original painter and the reproductive engraver. The clarity of the line work and the balanced distribution of light and shadow demonstrate the technical proficiency required to interpret complex religious iconography for a wider audience. This piece is a representative example of the reproductive print culture that allowed European collectors to study the great frescoes of Italy from afar.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Assumption of the Virgin - Francesco Faraone Aquila
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