Aurora and Cephalus - Nicolaes van Helt Stockade
Archival giclée
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Description
A detailed seventeenth-century etching by Nicolaes van Helt Stockade depicting the mythological encounter between the goddess Aurora and the hunter Cephalus.
This etching depicts the classical myth of Aurora, the goddess of the dawn, discovering the hunter Cephalus. Nicolaes van Helt Stockade, a Dutch painter and etcher active during the seventeenth century, captures the moment of encounter with precision. Aurora is shown in flight, her form rendered with delicate lines that suggest movement through the air. Below her, Cephalus rests against a tree, his posture conveying surprise at the sudden appearance of the deity. His hunting dogs remain nearby, tethered and alert, grounding the scene in the narrative of the hunt.
The composition balances the ethereal presence of the goddess with the grounded, physical reality of the hunter. The background features a faint, atmospheric depiction of a chariot, referencing Aurora's role in bringing the day. The artist employs a variety of hatching techniques to create texture, from the rough bark of the tree to the soft folds of drapery. The light source appears to emanate from the upper left, casting subtle shadows that define the figures and the surrounding terrain.
Van Helt Stockade was known for his versatility in both painting and printmaking. His work often drew upon classical themes, which were popular among the educated classes of the Dutch Republic. This print demonstrates his technical skill in managing the copper plate to achieve tonal variation without relying on heavy ink application. The work reflects the period's interest in Ovidian narratives, presenting a moment of quiet drama rather than overt action. The inclusion of the hunting equipment and the dogs provides a specific context for Cephalus, identifying him as the mortal hunter who famously resisted the advances of the goddess. This print is a fine example of the narrative printmaking tradition that flourished in the Netherlands during the mid-seventeenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Aurora and Cephalus - Nicolaes van Helt Stockade
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