Bacchus, Ceres and Venus - Cornelis Schut (I)
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classical Baroque etching by Flemish master Cornelis Schut (I), depicting the mythological figures of Bacchus, Ceres, and Venus.
This etching by the Flemish artist Cornelis Schut (I) depicts a classical mythological scene featuring Bacchus, Ceres, and Venus. Schut, a contemporary of Peter Paul Rubens in Antwerp, demonstrates his mastery of the etching medium through the use of varied line weights and cross-hatching to define form and volume. The composition centres on the figure of Venus, who is surrounded by Bacchus, the god of wine, and Ceres, the goddess of agriculture. The presence of putti and an abundance of fruit, including grapes, reinforces the themes of fertility and earthly pleasure common in seventeenth-century Flemish art.
The figures are arranged in a manner typical of the Baroque period, with dynamic poses and a sense of movement that draws the viewer across the scene. Schut employs a clear distinction between the foreground figures and the lightly sketched background, creating a sense of depth despite the crowded arrangement of the subjects. The inclusion of specific attributes, such as the cornucopia and the wine vessels, allows for the identification of the deities while providing the artist with opportunities to display his technical skill in rendering different textures and materials.
As a printmaker, Schut was known for his ability to translate the energy of his paintings into the more controlled medium of the etching plate. This work reflects the broader interest in classical antiquity that permeated the artistic circles of the Low Countries during the seventeenth century. The print serves as a fine example of the period's fascination with allegorical subjects, where the human form is used to convey complex narratives of nature and abundance. The clarity of the lines and the balanced composition demonstrate the technical rigour applied to print production in the Antwerp school, providing a clear view into the aesthetic priorities of the era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bacchus, Ceres and Venus - Cornelis Schut (I)
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

