Balaam and the Ass - Herman van Swanevelt
Archival giclée
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Description
A detailed etching by Herman van Swanevelt depicting the biblical encounter between Balaam and the angel within an Italianate setting.
This etching by Herman van Swanevelt depicts the biblical narrative of Balaam and his ass, a story found in the Book of Numbers. Swanevelt, a Dutch painter and etcher who spent a significant portion of his career in Rome, was known for his mastery of the Italianate style. He often integrated religious or mythological figures into expansive, atmospheric settings that reflect the influence of the Roman countryside.
In this composition, the figures of Balaam and the angel are positioned to the left, nestled within the shadow of dense, textured foliage. The ass, startled by the presence of the divine messenger, provides a sense of movement to the scene. The artist employs fine, precise lines to render the gnarled trees, rocky outcrops, and the distant, rolling hills. The light is managed through careful hatching, creating a sense of depth that draws the eye from the immediate foreground toward the horizon.
Swanevelt was a contemporary of Claude Lorrain, and this work shares the same interest in the interplay between light and natural forms. The etching demonstrates a technical proficiency in printmaking, using varied line weights to distinguish between the rough texture of the stones and the delicate leaves of the trees. The inscription in the upper right corner, 'H Swanevelt Fecit Rom', confirms the work was produced during his time in Italy. This print offers a view into the seventeenth-century tradition of combining narrative subjects with the study of nature, a practice that defined much of the artist's output during his European travels.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Balaam and the Ass - Herman van Swanevelt
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