Battle at Heshi Kuluke - Jean Damascene Sallusti
Archival giclée
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Description
A detailed eighteenth-century copperplate engraving depicting a military engagement from the Qianlong Emperor's campaigns in the Western Regions.
This copperplate engraving depicts the Battle at Heshi Kuluke, a significant engagement during the Qianlong Emperor's military campaigns in the Western Regions. Produced in the late eighteenth century, the work belongs to a series commissioned by the Qing court to document imperial victories. Jean Damascene Sallusti, an Italian Jesuit missionary residing in Beijing, collaborated with other European artists and Chinese engravers to create these detailed records.
The composition employs Western linear perspective and cross-hatching techniques to render the rugged terrain of the frontier. Soldiers on horseback engage in combat across a valley, while the background features steep, craggy mountains. The artist balances the chaotic movement of the cavalry with the static, monumental quality of the landscape. In the upper right corner, a block of Chinese calligraphy provides context for the event, integrating the visual narrative with the literary tradition of the imperial court. The print reflects the synthesis of European artistic methods and Chinese subject matter that characterised the Jesuit influence at the Qing court.
Technically, the work demonstrates the precision of eighteenth-century engraving. The fine lines define the textures of the rocks, the foliage of the trees, and the armour of the soldiers. This print serves as a historical document of the expansionist policies of the Qianlong era, capturing the scale of the conflict through a blend of topographical accuracy and dramatic staging. The inclusion of the imperial poem adds a layer of political authority to the scene, framing the military action within the broader scope of the emperor's governance. This piece offers a view into the cross-cultural exchanges occurring within the Forbidden City during the mid-Qing period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Battle at Heshi Kuluke - Jean Damascene Sallusti
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