Beeld van de Faun in het doolhof van de tuinen van Paleis Het Loo - Jan van Call (I)
Archival giclée
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Description
A detailed etching by Jan van Call (I) depicting the formal gardens and fountain at Paleis Het Loo, showcasing seventeenth-century Dutch garden design.
This etching by Jan van Call (I) depicts a specific section of the gardens at Paleis Het Loo, the Dutch royal residence in Apeldoorn. The composition focuses on the 'Sextuplex via' or six-way path surrounding the fountain of the Faun. The print captures the formal geometry of late seventeenth-century garden design, where clipped hedges and structured pathways define the visitor experience. A central statue of a faun serves as the anchor for the circular basin, while figures in period attire populate the foreground, providing a sense of scale and social context to the manicured environment.
Van Call was a skilled draughtsman and etcher, known for his topographical work and documentation of Dutch estates. His technique relies on precise line work to delineate the textures of the foliage and the architectural elements of the fountain. The sky is rendered with light, horizontal hatching, which contrasts with the denser, darker lines used to represent the mass of the hedges. This contrast creates a clear sense of depth, drawing the eye toward the central sculpture. The inclusion of Latin and Dutch text at the base of the print identifies the location and the specific feature being observed, a common practice in topographical series of the period.
This work offers a glimpse into the aesthetic values of the Dutch Golden Age, specifically the influence of French formal garden styles on royal residences. The print is part of a larger series documenting the grandeur of Het Loo, reflecting the meticulous planning involved in creating these spaces. The clarity of the etching process allows for the preservation of fine details, from the individual figures to the subtle ripples in the water. It remains a valuable record of historical garden architecture, presented with the technical precision characteristic of Van Call's output.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Beeld van de Faun in het doolhof van de tuinen van Paleis Het Loo - Jan van Call (I)
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