Belastingzuigpomp - Karel Petrus Cornelis de Bazel
Archival giclée
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Description
A striking woodcut by Dutch architect Karel Petrus Cornelis de Bazel, featuring symbolic figures and geometric composition to critique social structures.
This woodcut by Karel Petrus Cornelis de Bazel, titled Belastingzuigpomp, offers a stark visual commentary on the socio-economic conditions of the late nineteenth century. De Bazel, a prominent Dutch architect and designer, was deeply involved in the Theosophical movement, which often informed the geometric precision and symbolic weight of his graphic work. The composition is divided into two distinct registers, employing a rigid, vertical structure that reflects the artist's architectural background.
The upper register features two kneeling figures facing a central column, which serves as the visual anchor for the text. The figures are rendered with a high degree of stylisation, their forms reduced to essential silhouettes that emphasise the weight of their posture. The lower register depicts a single figure in a bowed, submissive position, accompanied by a circular motif containing seed-like forms. This arrangement creates a sense of narrative tension, suggesting themes of labour, extraction, and the burden of taxation implied by the title.
De Bazel's approach to the woodcut medium is characterised by a deliberate use of negative space and bold, black-and-white contrasts. The lines are clean and purposeful, avoiding unnecessary detail in favour of a clear, symbolic language. The work avoids the ornamental excesses of some contemporary styles, opting instead for a disciplined, almost austere aesthetic. This print is a clear example of the artist's ability to synthesise complex social critique with a refined, graphic sensibility. The R.MVS. stamp at the bottom indicates its provenance within the Rijksmuseum collection, confirming its status as a significant piece of Dutch graphic history. The work remains a compelling study in the use of silhouette and geometry to convey abstract concepts of power and societal structure.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Belastingzuigpomp - Karel Petrus Cornelis de Bazel
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