Beleg en inname van Sint-Andries door Maurits - Pieter Bast
Archival giclée
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Description
A detailed 1600 etching by Pieter Bast documenting the siege and capture of Fort Sint-Andries during the Eighty Years' War.
This etching by Pieter Bast depicts the siege and capture of Fort Sint-Andries in 1600. The work functions as a military map, documenting the strategic manoeuvres of Maurice of Nassau during the Eighty Years' War. Bast, a cartographer and engraver, provides a bird's-eye view of the terrain, showing the confluence of the Meuse and Waal rivers. The composition is organised to clarify the placement of troops, fortifications, and supply lines.
The print displays the characteristic style of early seventeenth-century Dutch military cartography. Bast employs a high vantage point, allowing the viewer to observe the entire theatre of operations. The rivers are labelled clearly, and the fortifications are rendered with geometric precision. Small figures represent infantry and cavalry units, providing a sense of scale and activity across the battlefield. The surrounding earthworks and encampments are delineated with thin, precise lines, typical of the copperplate engraving techniques of the period.
As a historical document, the print captures the tactical nature of the conflict. The fort itself, located at the centre of the confluence, is shown under pressure from the surrounding forces. Bast includes Latin inscriptions to identify key locations, such as the fort and the rivers, which was common practice for maps intended for a learned audience. The work offers a clear view of the engineering efforts required for such a siege, including the construction of trenches and defensive positions. This print is a valuable record of Dutch military history, reflecting the technical approach to warfare and mapmaking at the turn of the century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Beleg en inname van Sint-Andries door Maurits - Pieter Bast
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