Berceau in de tuin van Huis ter Meer te Maarssen - Hendrik de Leth
Archival giclée
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Description
An eighteenth-century etching by Hendrik de Leth depicting the formal garden architecture and riverfront life at Huis ter Meer in Maarssen.
This etching by Hendrik de Leth captures the refined garden architecture of Huis ter Meer in Maarssen during the eighteenth century. The composition focuses on the berceau, a long, arched tunnel of greenery that runs parallel to the Vecht river. De Leth employs precise line work to delineate the structure of the garden pavilion, which features a domed roof and an open archway revealing a fountain within. The scene is typical of the period, documenting the status of wealthy Dutch estates along the Vecht, where the integration of formal garden design and river views was a primary concern for the elite.
In the foreground, the artist includes figures in small boats, providing a sense of scale and daily activity on the water. The use of cross-hatching and varied line weights creates depth, particularly in the rendering of the water's surface and the dense foliage of the trees. The sky is filled with soft, etched clouds, adding a sense of atmosphere to the otherwise structured architectural depiction. The dual-language caption at the base, written in both Dutch and French, reflects the international appeal of such topographical prints, which were often collected by travellers and enthusiasts of garden design.
De Leth was a prolific engraver and publisher based in Amsterdam, known for his maps and views of the Dutch countryside. This work is a fine example of his technical ability to balance architectural detail with the natural environment. The print offers a glimpse into the aesthetic values of the Dutch landed gentry, who sought to display their wealth through the careful cultivation of their riverfront properties. The clarity of the etching process allows for the preservation of fine details, from the ripples in the river to the individual leaves on the trees, making it a valuable historical record of eighteenth-century Dutch garden design.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Berceau in de tuin van Huis ter Meer te Maarssen - Hendrik de Leth
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