Beringing van de doorbraak te Speet - Mari ten Kate
Archival giclée
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Description
A detailed etching by Mari ten Kate documenting the repair of a dike breach at Speet in 1855, capturing the rural engineering efforts of the era.
This etching by the Dutch artist Mari ten Kate depicts the repair of a dike breach at Speet, a task of significant local importance during the mid-nineteenth century. Ten Kate, known for his focus on rural life and the Dutch countryside, captures the labour involved in managing the water levels that defined the geography of the Netherlands. The composition centres on a temporary wooden structure erected to stem the flow of water, with figures positioned along the barrier to manage the repair efforts.
The artist employs a delicate line quality, typical of the etching techniques favoured by Dutch printmakers of the period. The sky occupies a large portion of the frame, filled with soft, atmospheric clouds that suggest the expansive nature of the coastal environment. In the background, small dwellings sit near the water, providing a sense of scale and context to the human struggle against the elements. The foreground is dominated by the rough timber of the dike reinforcement, rendered with precise, hatched lines that convey the texture of the wood and the muddy earth.
Ten Kate avoids dramatic flair, opting instead for a documentary approach that records the physical reality of the scene. The work functions as a visual record of hydraulic engineering in the 1850s, reflecting the constant vigilance required in low-lying regions. The muted palette, inherent to the monochrome nature of the etching, allows the viewer to focus on the geometry of the construction and the quiet, collective action of the workers. This print offers a glimpse into the historical relationship between the Dutch population and their environment, presented with the technical restraint characteristic of Ten Kate's broader body of work.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Beringing van de doorbraak te Speet - Mari ten Kate
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