Bidriware Basin - Fine Art Print
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed photographic print of a 19th-century Indian Bidriware basin, featuring precise silver inlay on a blackened zinc-alloy surface.
This print captures a fine example of Bidriware, a traditional metalwork technique originating from Bidar in present-day Karnataka, India. The object is a basin, likely used for ceremonial or domestic purposes, constructed from a blackened alloy of zinc and copper. The surface is decorated with silver inlay, a process that requires precise engraving followed by the insertion of silver wire or sheet into the grooves.
The design features a repeating floral motif, organised within lobed panels that encircle both the wide, shallow rim and the bulbous base. The contrast between the dark, oxidised metal and the bright silver inlay creates a clear visual distinction, allowing the fine lines of the petals and leaves to emerge from the background. A central, perforated cover sits within the basin, suggesting its function as a vessel for washing or perhaps as a container for aromatic substances.
Bidriware production involves a specific chemical process to achieve the permanent black finish, which is then polished to ensure the silver inlay remains prominent. This piece reflects the technical skill of Indian metalworkers during the 19th century, who combined geometric precision with organic, floral patterns. The symmetry of the basin, combined with the density of the decorative work, demonstrates a high level of craftsmanship. The object is presented here as a high-resolution photographic print, documenting the texture of the metal and the precision of the inlay work. It provides a clear view of the decorative programme, from the chevron borders to the individual floral sprays within each panel. This print is suitable for those interested in the history of metalwork, South Asian decorative arts, or the intersection of utility and ornamentation in historical objects.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bidriware Basin - Fine Art Print
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

