Big Elephants Being Attacked - Isshinsai Yoshikata
Archival giclée
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Description
A dramatic Meiji-era woodblock triptych by Isshinsai Yoshikata depicting a hunt involving elephants, tigers, and figures in Western attire.
This woodblock print by Isshinsai Yoshikata captures a dramatic encounter between hunters and elephants. The composition is a triptych, a format frequently employed in the Meiji period to convey large-scale narratives or complex action sequences. The scene depicts figures in Western-style military attire engaging with elephants, while tigers prowl in the foreground. The inclusion of a European-style castle in the background suggests a fascination with foreign architecture and exotic themes, which became common in Japanese art during the late nineteenth century as the country opened to international influence.
The print displays the characteristic flat perspective and bold outlines of the Ukiyo-e tradition. Yoshikata uses a palette of muted greens, earth tones, and primary colours to define the figures and the environment. The hunters are shown wielding long spears and rifles, their postures conveying the urgency of the hunt. The elephants, rendered with simplified anatomical features, occupy the centre of the frame, creating a sense of tension between the human figures and the animals. The tigers, depicted with striped patterns and aggressive expressions, add a layer of danger to the composition.
Technically, the work demonstrates the precision of the woodblock printing process, with clear registration of the colour blocks and fine line work in the details of the clothing and foliage. The text block in the upper right corner provides context for the narrative, a standard feature in many Japanese prints of this era. This piece offers a view into the cultural curiosity of the Meiji period, where traditional artistic methods were applied to subjects that reflected the rapid modernisation and global engagement of Japan. It remains a curious example of how artists of the time synthesised local traditions with new, foreign subjects.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Big Elephants Being Attacked - Isshinsai Yoshikata
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