Blind Orion Searching for the Rising Sun - Nicolas Poussin
Archival giclée
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Description
A classical mythological scene by Nicolas Poussin, depicting the giant Orion guided by Cedalion as he seeks the healing light of the rising sun.
Nicolas Poussin painted Blind Orion Searching for the Rising Sun in 1658. The work depicts the Greek myth of the giant hunter Orion, who was blinded by King Oenopion. Guided by Cedalion, who sits upon his shoulders, Orion travels towards the east to have his sight restored by the rays of the rising sun. Poussin places the figures within a vast, atmospheric setting, where the scale of the giant is contrasted against the expansive, rolling terrain and distant mountains.
The composition is structured with a clear sense of order, typical of Poussin's mature style. The giant occupies the right side of the frame, his muscular form rendered with classical precision. Cedalion points the way, while the figure of Diana appears in the clouds above, observing the scene. The lighting is deliberate, with the sun beginning to break through the clouds, casting a soft glow across the valley. The palette consists of earthy greens, browns, and muted blues, which unify the figures with the natural environment.
Poussin drew upon the writings of Lucian of Samosata for the subject matter. The painting demonstrates his interest in the relationship between human figures and the natural world, treating the environment as a stage for mythological narrative. The sense of movement is subtle, conveyed through the giant's stride and the directional gaze of his guide. This work remains a primary example of the artist's ability to synthesise classical literature with rigorous compositional geometry, creating a scene that is both intellectually structured and visually coherent. The fine detail in the foliage and the distant horizon reflects the artist's meticulous approach to his craft, ensuring that every element contributes to the overall narrative clarity of the piece.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Blind Orion Searching for the Rising Sun - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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