Bomen aan een vijver in het Bois de Boulogne te Parijs - Berthe Morisot
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Description
A delicate drypoint print by Impressionist artist Berthe Morisot, capturing the quiet atmosphere of trees by a pond in the Bois de Boulogne.
This drypoint print by Berthe Morisot captures a quiet moment in the Bois de Boulogne, a large public park on the western edge of Paris. Morisot, a central figure within the Impressionist circle, frequently turned her attention to the natural surroundings of the city and her own domestic sphere. Her approach to printmaking mirrors the spontaneity found in her paintings, relying on a delicate, economical use of line to suggest form rather than defining it with rigid boundaries.
The composition focuses on the verticality of two trees situated at the edge of a pond. The artist employs light, rhythmic strokes to render the foliage and the reflection of the trees upon the water. A small boat is visible near the bank, adding a sense of human presence to the otherwise tranquil scene. The drypoint technique allows for a soft, velvety quality in the lines, which Morisot uses to evoke the atmospheric conditions of the park. By stripping away unnecessary detail, she invites the viewer to complete the image through their own perception of the light and space.
Morisot produced a limited number of etchings and drypoints during her career, often experimenting with the medium to capture fleeting impressions. This work demonstrates her ability to translate the immediacy of her plein-air observations into a graphic format. The print reflects the interest of the Impressionists in the changing effects of light and the casual, unposed nature of modern life. It remains a subtle example of her technical skill and her preference for subjects that offer a sense of calm and observation. The work is held in the collection of the Rijksmuseum, reflecting its status as a significant example of her graphic output.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Dust gently with a soft, dry cloth
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bomen aan een vijver in het Bois de Boulogne te Parijs - Berthe Morisot
Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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