Bonifatius IV Paleologo and Francesco Maria della Rovere - Nicolaas Hogenberg
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed sixteenth-century etching by Nicolaas Hogenberg depicting a ceremonial procession of figures bearing imperial symbols.
This etching by Nicolaas Hogenberg depicts a segment of the ceremonial procession of Emperor Charles V. The work, identified as Plate BB, captures two figures of high status: Bonifatius IV Paleologo, the Marquess of Montferrat, carrying the imperial sceptre, and Francesco Maria della Rovere, the Duke of Urbino, bearing the imperial sword. Hogenberg, a Flemish artist active in the early sixteenth century, was known for his documentation of the coronation and entry of Charles V into Bologna in 1530.
The composition is organised as a frieze, a common format for processional imagery of the period. The figures are mounted on horseback, accompanied by attendants on foot, moving across a shallow stage. The artist employs fine, precise lines to delineate the elaborate costumes, the trappings of the horses, and the heraldic shields positioned above the figures. The inclusion of a cartouche containing French text provides historical context, identifying the lineage and titles of the participants. The style reflects the Northern Renaissance interest in descriptive detail and the formalisation of courtly spectacle.
Technically, the etching demonstrates the artist's ability to manage complex groupings within a linear narrative. The horses are rendered with attention to their muscular form and decorative saddles, while the figures maintain a stiff, formal posture appropriate to their rank. The heraldic elements are executed with clarity, serving as visual markers of identity within the broader sequence of the procession. This print offers a glimpse into the visual culture of the Habsburg court, where such processions functioned as political theatre, communicating power and legitimacy through carefully choreographed public displays. The work remains a valuable record of sixteenth-century costume and the iconography of imperial authority.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bonifatius IV Paleologo and Francesco Maria della Rovere - Nicolaas Hogenberg
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

