Bouquet of Flowers - Albert Marquet
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A bold, expressive still life by Albert Marquet, featuring a floral arrangement rendered with the direct brushwork and simplified forms characteristic of early Fauvism.
Albert Marquet, a contemporary and close associate of Henri Matisse, produced this still life during a period of significant experimentation in French painting. The work displays the characteristics of the Fauvist movement, which prioritised expressive colour and simplified form over traditional academic realism. Marquet applies paint with a direct, confident hand, allowing the brushwork to remain visible and active across the surface of the canvas.
The composition is anchored by a simple vase, which holds a cluster of blossoms rendered in bold, unblended tones of red and pink. The background is a flat, warm yellow, which pushes the floral arrangement forward and creates a sense of immediate presence. Marquet avoids excessive detail, choosing instead to capture the essence of the subject through the relationship between the colours and the simplified geometry of the objects. The dark, earthy tones of the table surface provide a grounding contrast to the lighter hues of the flowers and the background.
Unlike many of his peers who pursued increasingly abstract directions, Marquet maintained a connection to the observable world throughout his career. This painting demonstrates his ability to balance the decorative potential of colour with a clear, legible structure. The economy of his technique suggests a focus on the immediate visual impact of the scene. By stripping away unnecessary elements, Marquet directs the viewer to the interplay of light and pigment. This approach reflects his broader interest in the clarity of vision, a quality that remained consistent in his later work, including his well-known harbour scenes and urban views. The work is a clear example of the early twentieth-century shift toward a more subjective interpretation of reality, where the artist's personal response to the subject takes precedence over precise representation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bouquet of Flowers - Albert Marquet
Artist Biography
Albert Marquet
Marquet was born in Bordeaux on 27 March 1875, the son of a railway clerk. His mother moved the family to Paris to support his artistic education, and he enrolled at the Ecole des Arts Décoratifs in 1890, where he met Henri Matisse; the friendship lasted the rest of his life. The two painters shared studios and worked side by side for years, but their mature styles could scarcely be more different. Where Matisse reached for triumphant colour, Marquet worked with grey haze, snow light, and the tonal restraint of an elevated viewpoint over water.
His approach is visible in "The Beach at Fécamp" (1906, 51 x 61 cm, Musée National d'Art Moderne, Paris): the beach runs diagonally, figures and boats reduced to laconic dark brushstrokes, with only two sailors' blue collars and a red flag providing any colour accent. Similar economy governs the Paris quai paintings in the State Hermitage: "Rainy Day. Notre Dame de Paris" (1910, 81 x 66 cm) and "Louvre Embankment and the New Bridge" (1906, 60 x 73 cm), where cold grey mist substitutes for the chromatic intensity his contemporaries were deploying elsewhere.
He continued working until days before his death. Returning from an operation on 31 January 1947, he immediately picked up his brush to capture falling snow from his apartment window at 1 Rue Dauphine, Paris. He died there on 14 June 1947.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like