Burial of St. Jerome - Vittore Carpaccio
Archival giclée
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Description
A detailed Renaissance scene by Vittore Carpaccio, depicting the solemn funeral rites of Saint Jerome within a Venetian courtyard setting.
Vittore Carpaccio, a Venetian master of the early Renaissance, produced this scene as part of a cycle depicting the life of Saint Jerome for the Scuola di San Giorgio degli Schiavoni in Venice. The composition is structured around the solemn funeral rites of the saint, who lies prone in the foreground, surrounded by a gathering of monks. Carpaccio employs a clear, linear perspective that draws the eye across the tiled floor toward the open courtyard beyond.
The background reveals a characteristic Venetian interest in architectural detail and exotic elements. A solitary palm tree stands in the centre of the courtyard, while the surrounding buildings feature the distinct chimneys and loggias common to the period. The artist populates the space with small, anecdotal figures, including a horse and various animals, which add a sense of daily life to the religious subject. The palette is dominated by muted earth tones, soft ochres, and the deep blues of the monks' habits, creating a balanced and harmonious visual field.
Carpaccio is known for his ability to integrate narrative detail with a sense of place. Unlike many of his contemporaries who focused on monumental figures, he often prioritised the environment and the interaction between the characters and their setting. This work demonstrates his skill in managing complex groups of figures while maintaining a sense of order and quietude. The light is even and diffused, suggesting a calm, overcast day, which contributes to the meditative quality of the scene. The attention to the textures of the robes and the architectural surfaces reflects the technical precision typical of the Venetian school at the turn of the sixteenth century. This print captures the atmospheric depth and the narrative clarity that define Carpaccio's contribution to the development of Venetian painting.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Burial of St. Jerome - Vittore Carpaccio
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