Carew Castle N. W. - Paul Sandby
Archival giclée
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Description
A detailed 1779 aquatint by Paul Sandby depicting the ruins of Carew Castle in Pembrokeshire, rendered in a refined sepia tone.
This aquatint, titled Carew Castle N. W., originates from Paul Sandby’s extensive documentation of British architecture and rural sites. Published in 1779, the work captures the medieval ruins of Carew Castle in Pembrokeshire, Wales, as viewed from the north-west. Sandby, often referred to as the father of the English watercolour school, utilised the aquatint process to replicate the tonal qualities of his original wash drawings. The composition balances the architectural mass of the castle with the expansive, calm water of the tidal inlet in the foreground.
The scene includes characteristic staffage, with a figure resting near a tent accompanied by livestock, which provides a sense of scale and human presence against the historical structure. The castle itself is rendered with precise attention to its defensive walls and windows, reflecting the artist's background in military cartography. The sky is treated with subtle gradations, typical of the period's interest in atmospheric effects. By employing a monochromatic sepia palette, Sandby focuses the viewer's attention on the structural form and the interplay of light across the stone surfaces.
Sandby’s work was instrumental in popularising the picturesque movement in Britain. His prints allowed a wider audience to engage with the nation's historical sites, which were increasingly viewed through an aesthetic lens rather than purely functional or defensive ones. This print demonstrates his technical mastery of the aquatint medium, a technique he helped introduce to the British public. The clarity of the lines and the controlled application of tone allow for a detailed examination of the castle's condition in the late eighteenth century. It remains a primary visual record of the site before later conservation efforts altered its appearance. The print is presented here with the original plate marks and publication details intact, preserving the historical context of its production.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Carew Castle N. W. - Paul Sandby
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