Carolina Parrot - John James Audubon
Archival giclée
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Description
A detailed hand-coloured aquatint of the extinct Carolina Parakeet from John James Audubon's The Birds of America.
This print originates from John James Audubon's monumental work, The Birds of America, published between 1827 and 1838. Plate 26 depicts the Carolina Parakeet, a species now extinct, shown here feeding on the fruit of the cocklebur plant. Audubon observed these birds in their natural habitat, capturing their social behaviour and physical characteristics with scientific precision.
The composition arranges seven parrots across a network of branches. The birds are shown in various postures: some are perched, others are in flight, and several are actively feeding. Audubon used a combination of etching and aquatint, which was then finished with hand-applied watercolour. This technique allowed for the subtle gradation of colour on the birds' feathers, ranging from deep forest greens to the bright yellow and orange hues of their heads.
Audubon's approach to ornithological illustration differed from his predecessors. Rather than presenting birds in static, profile views, he depicted them in active, life-sized poses. This method provided a more complete understanding of the species. The inclusion of the cocklebur plant serves both a botanical and narrative purpose, documenting the diet of the parakeet. The print reflects the mid-nineteenth-century interest in taxonomy and the documentation of the natural world. The clean, cream-coloured background ensures that the focus remains entirely on the anatomical details and the interaction between the birds and their environment. This work remains a significant record of a species that disappeared from the wild in the early twentieth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Carolina Parrot - John James Audubon
Artist Biography
John James Audubon
He was born illegitimate in 1785 in Les Cayes, Saint-Domingue (now Haiti), the son of a French merchant and a Creole woman. He was sent to America at eighteen to avoid Napoleonic conscription. He was also a serial fabricator: he claimed his father was an admiral (he was a captain), said his family had been imprisoned in the Bastille (they had not), and invented frontier stories about fighting wolves and sleeping in igloos. He ran a dry-goods store in Kentucky and was jailed for bankruptcy in 1819.
The paintings themselves are extraordinary: precise, dynamic, and composed with a narrative quality that goes beyond scientific illustration. His legacy is contested. The National Audubon Society and several regional chapters dropped his name in 2023 because of his documented history as an enslaver. He died in 1851.
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