Chamberlain, als de duivel, en Kitchener in een politieke allegorie op de oorlog in Transvaal - Johan Braakensiek
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A striking political allegory by Johan Braakensiek, depicting Joseph Chamberlain and Lord Kitchener during the Second Boer War.
This work by Dutch illustrator Johan Braakensiek provides a sharp visual commentary on the Second Boer War. Created in 1901, the composition employs classical allegorical figures to critique British colonial policy in the Transvaal. Braakensiek depicts Joseph Chamberlain, the British Secretary of State for the Colonies, in the guise of a devil, overseeing the conflict. Beside him, Lord Kitchener is shown in a confrontational stance, reflecting the aggressive military tactics employed during the campaign.
The artist uses a monochromatic wash technique to create a sombre, theatrical atmosphere. The figures are arranged in a staged manner, reminiscent of a morality play. Justice, represented as a woman holding scales and a sword, stands as a silent observer to the violence occurring in the foreground. The contrast between the ethereal, classical figures and the grounded, militaristic presence of the British officials creates a tension that defines the work. Braakensiek was well known for his contributions to the Dutch weekly magazine 'Amsterdammer', where his cartoons often addressed international politics with a critical eye.
Technically, the drawing demonstrates Braakensiek's command of light and shadow. The wash application allows for subtle gradations, drawing the eye toward the central interaction between the devilish Chamberlain and the military figures. The composition avoids clutter, focusing instead on the symbolic weight of each character. This piece functions as a historical document of European public opinion regarding the Boer War, capturing the anti-British sentiment that was prevalent in the Netherlands at the turn of the twentieth century. The work remains a clear example of how political illustration was used to shape public discourse during periods of international conflict.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Chamberlain, als de duivel, en Kitchener in een politieke allegorie op de oorlog in Transvaal - Johan Braakensiek
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

