Children in Turkish Costume - Winslow Homer
Archival giclée
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Description
A 1885 watercolour by Winslow Homer depicting three children in Turkish-style dress, rendered with precise brushwork and a controlled colour palette.
This watercolour, dated 1885, depicts three children dressed in elaborate Turkish-style garments. The composition is arranged with a central female figure wearing a red veil and yellow dress, flanked by two companions in traditional attire. The figures sit before a large, potted palm, which provides a structural backdrop to the scene. Winslow Homer, known primarily for his American maritime subjects and rural life, produced this work during a period when he experimented with the medium of watercolour to capture light and texture with greater fluidity.
The artist employs a controlled palette, using washes of red, green, and ochre to define the clothing and the surrounding environment. The brushwork is precise, particularly in the rendering of the fabric folds and the decorative elements of the costumes. Unlike his later, more atmospheric Caribbean studies, this piece retains a focus on the figures and their specific, staged appearance. The inclusion of the palm plant suggests an interest in exoticism, a common theme in late nineteenth-century art, yet the execution remains grounded in Homer's characteristic observation of form and light.
This work demonstrates the artist's technical proficiency with watercolour, a medium he utilised to achieve both transparency and depth. The figures are positioned in a shallow space, with the palm leaves providing a vertical counterpoint to the horizontal arrangement of the seated children. The work is signed and dated in the lower right corner. It offers a glimpse into the artist's broader interests beyond his well-known coastal scenes, showing his ability to handle portraiture and costume with equal attention to detail. The muted tones and careful composition reflect the aesthetic sensibilities of the period, providing a clear example of Homer's versatility as a draughtsman and painter.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Children in Turkish Costume - Winslow Homer
Artist Biography
Winslow Homer
He moved from illustration to painting without formal training, learning oil technique largely by observation. His early paintings are genre scenes of rural American life: children playing, women on croquet lawns, the kind of post-war pastoral that the public wanted. They sold well. He was dissatisfied with them.
In 1881 he went to Cullercoats, a fishing village in northeast England, and spent two years painting the women who waited on the shore for the fishing boats to return. The Cullercoats paintings are darker, more dramatic, and more serious than anything he had made before. The sea became his subject.
He moved to Prouts Neck, Maine, in 1883 and lived there, mostly alone, for the rest of his life. The Maine paintings, The Gulf Stream, Northeaster, Right and Left, are about the confrontation between human beings and the ocean. The figures are small. The water is enormous. The light is cold. He painted the sea the way Constable painted clouds: from direct observation, over years, until he understood its behaviour.
His watercolours, made on fishing trips to the Adirondacks, Florida, and the Bahamas, are freer and more experimental than the oils. Tropical sunlight and clear water brought out colours he did not use in Maine. He died in 1910, at seventy-four.
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