Christ and the Woman of Samaria - Adriaen Collaert
Archival giclée
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Description
A detailed Flemish engraving depicting the biblical encounter at Jacob's well, set within a sprawling, panoramic landscape.
This engraving by Adriaen Collaert depicts the biblical encounter between Christ and the Samaritan woman at Jacob's well. The composition follows the conventions of late sixteenth-century Flemish printmaking, where the narrative action is situated within a vast, panoramic view. The figures occupy the foreground, rendered with precise, controlled lines that define the folds of their garments and their expressive gestures. Christ sits by the well, gesturing towards the disciples who approach him, while the woman stands nearby, her presence integrated into the broader scene.
The background reveals a complex, constructed environment typical of the period. A winding river leads the eye toward a distant town with architectural features reminiscent of European urban centres. The trees are articulated with individualised foliage, creating a sense of depth that draws the viewer across the middle ground. Small, secondary figures populate the path, adding a layer of daily activity that contrasts with the primary theological subject. Above, a celestial element is visible within a cloud formation, providing a symbolic anchor to the scene.
Collaert, a member of a prominent family of engravers in Antwerp, demonstrates technical mastery in his use of hatching and cross-hatching to suggest volume and texture. The print is inscribed with Latin text at the base, which provides a scriptural reference to the Gospel of John. This work reflects the interest of Northern European artists in combining religious themes with detailed, expansive natural settings. The balance between the human figures and the surrounding environment is characteristic of the period, where the setting is as much a subject of the print as the narrative itself. This museum-grade reproduction captures the fine detail of the original copperplate engraving, preserving the tonal variations and the clarity of the line work.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Christ and the Woman of Samaria - Adriaen Collaert
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